
The
best of me...?
Religion
in the life and music of
Elgar
and Vaughan Williams
A
Symposium
at
the Angel Hotel and the Spread Eagle Hotel, Midhurst,
24th
– 26th November 2006
The Programme
Friday
24th November
5.00 pm
Assemble and welcome
7.00 pm
Dinner
8.30 pm
Discussion: The Christian influences on Elgar and RVW
8.15 am
Breakfast
9.30 am RVW and the English Hymnal
(Revd. John Calvert, All Saints,
10.30 am Coffee
11.00
am
The Dream of Gerontius
(Diana McVeagh)
12.30
pm
Lunch
2.00 pm
Mass in G minor and Sancta
Civitas (James Day)
3.00 pm
The Light of Life and Te Deum
& Benedictus (Geoffrey
Hodgkins)
4.00 pm
Tea
4.30 pm
Job (Terry Barfoot)
5.30 pm
Break
7.00 pm
Dinner
8.30 pm
Elgar & Vaughan Williams:
The
impact of religion on their lives and music
(Michael Kennedy)
8.15 am
Breakfast
9.30 am
The Pilgrim’s Progress
(Stephen Connock)
11.00
am
Coffee
11.30
am
The Apostles (Terry Barfoot)
12.30
pm
Lunch
2.00 pm
The Kingdom & The Last
Judgement (Andrew Neill)
3.00 pm
Panel discussion and concluding remarks
4.00 pm
Tea and depart
The Venue The
Angel Hotel and the Spread Eagle
Hotel are located in the centre of the characterful Sussex market town of
Midhurst, situated in the beautiful South Downs countryside. Delegate
accommodation will be located in either hotel. The daytime sessions and lunch
will take place at the Spread Eagle Hotel, while the evening sessions and dinner
will be at the Angel Hotel. Course members will arrive on Friday at 5pm and depart
after tea on Sunday.
The hotels offer an excellent cuisine including dinner with
wine every evening.
Those wishing to stay for an extra night may do so at a
special rate. The Symposium

This Symposium will explore religion in the life and music of Elgar and Vaughan Williams.
The event will be led by Terry Barfoot, who writes widely on music for Britain’s leading
journals, festivals and record companies. Other speakers include Michael Kennedy,
James Day and Diana McVeagh. The Symposium is jointly sponsored by the
Elgar Society and the Ralph Vaughan Williams Society.
Both Elgar and Vaughan Williams were brought up in religious households – one
Roman Catholic and the other Church of England. If Elgar was to move away from
orthodoxy it may be, as Percy Young suggests, ‘not because he had too little faith but
because he had too much’. With Gerontius representing Elgar’s greatest religious s
tatement, his oratorios The Kingdom and The Apostles are, perhaps, more central to his
beliefs. Vaughan Williams, son of the vicar of All Saints Church, Down Ampney and later
to be editor of the English Hymnal, was also to write music of remarkable spirituality,
including the Mass in G minor and the oratorio Sancta Civitas, as well as some of the
best-loved hymns in the English language. Yet both composers’ attitude to religion was
complex. Ernest Newman, speaking after discussions with Elgar, said ‘he was never
religious in the everyday use of the term’, while Vaughan Williams described himself as
an atheist, even if others viewed him as agnostic, or as a ‘Christian agnostic’.
Cost:
£295.00 to include all meals, wine, beverages, course fees and accommodation.
Booking:
Arts in Residence, 25, Mulberry Lane, Cosham, Portsmouth, PO6 2QU.
£50.00
per person deposit with booking.
Cheques
payable to Arts in Residence.
Enquiries:
02392 383356 Email:
info@artsinresidence.co.uk
This page last
updated 31st August 2006
